|
Billie
Mae Richards As published in Filmfax # 105, January 2005 by William M. Schaefer In December of 2004, a CBS television staple will be celebrating its new status as one of the rare non-sporting events to be shown for four successive decades or more on network television. It is not the Miss America Pageant or the Oscars, two of the few others with the same distinction. It is not "The Wizard Of Oz," which went to cable five years ago, nor the Grammy Awards, which has not been televised for as long. It debuted when The Flintstones was in its fourth season in prime-time, and has endured into The Simpsons' fifteenth. It has been on VHS for eleven years and on DVD for five, and yet it still makes the Top 15 in the weekly Nielson ratings for most of its annual broadcasts (in 2003 it came in at 13th for week of December 4, with 13.7 million American viewers). It was made in a form of animation that was almost radically new when it premiered, but which has passed into the highly specialized now. It appeals to persons of wide diversity, from those who view it as a lesson on prejudice to those who simply have a prejudice for Burl Ives. It's forty years old, but millions see it for the first time every year. It's a misfit, but it's cute. It's Rudolph The Red-Nosed Reindeer, and it still shines. Among the many talents who created this long-legged annual, from guiding lights Arthur Rankin and Jules Bass, to seasoned screenwriter Romeo Muller and overlooked director Larry Roemer, sits a cast of remarkably capable vocal veterans whose performances have, like the title character, gone down in history. Even those who are not familiar with the multi-faceted career of a man name Paul Soles can recognize the wistful voice of the dental devotee Hermey, and even those who have not been privileged to hear Janis Orenstein (Clarice) sing on stage know "There's Always Tomorrow." But for many people, the biggest surprise comes with Rudolph himself, whose creator, as Billy Richards, has been playing similar roles in a career of several decades, but who, as Billie Mae Richards, elicits the most curiosity from fans. In a medium where it surprises no one to learn that Rocky the squirrel is really a girl (June Foray), people are amazed to learn that the most famous reindeer of all has a doe behind the glow. Could it be that some of you are not acquainted with the story of this versatile veteran? Pull up an ice block and lend an ear. Billie
Mae Richards began preparing for an entertainment career from the very
outset of her life in 1921, making
her first appearances on hometown Toronto, Ontario stages within a few years of
learning how to walk. "I In
addition to singing and dancing, Billie played accordion and piano, talents that
put her in demand at a time when unique stage personalities were at their most
popular. Billie's father—a silverware salesman who served as Billie's
makeup-artist and costume designer as well as her manager—arranged a multitude
of bookings for her, and she was rarely without work. Her most significant role
of this period was a stint with "The Dumbells," a
|
|